Dewey Phillips |
A synopsis of "Red Hot and Blue" WGA # 1105426 Michael William Freeman Robert Patrick Freeman 494 Garland Street Memphis, TN 38104 901-481-3877 Dewey Phillips loved music, especially rhythm and blues. He wanted to sing for a living; instead he broad casted the music he loved to his radio audience. WHBQ Radio in Memphis, Tennessee created the show Red Hot and Blue to reach the black audience because no one else was listening to their programs. Even though he could not enunciate properly, read copy well, or cue a record without scratching it, Dewey was perfect for the job. And to him, Red Hot and Blue was more than the perfect job; it became his life. He had an uncanny knack for guessing which songs would become hits. He had the knack, also, to say the most foolish things on the air. He captured the black audience for his station, and much more. A large, restless audience of white teenagers loved what Dewey played and hung on his every silly word. Without realizing it Dewey was helping to create a new phenomenon, rock and roll. One of Dewey’ s white listeners would record rhythm and blues songs in a Memphis studio, and with Dewey’s help, launch his career. His name was Elvis Presley. In the story of rock and roll, and of the cultural change of the 1950’s; Dewey Phillips is the unsung hero. His story is a “rags to riches” story. He scratched his way into his dream job at the same time a vast, young audience was searching for new entertainment and a new identity. But he would enjoy success for only a few years. By the end of the 50’s, the entertainment business was changing again, and Dewey would not be able to cope. He was then becoming one of the first casualties of drug addiction in the rock and roll era. So many of the music personalities from Memphis of that time would achieve greater, lasting fame than Dewey Phillips. Yet, all owe a debt to him for relentlessly promoting their creative work on his popular radio show. Dewey was more than an observer of cultural history, more than an on-air “Forrest Gump;” he was a vital participant. Dewey was also, as his biographer Louis Cantor, playfully showed, a filmmaker’s dream. Boyish, manic and never quiet; Dewey created chaos wherever he was. Friends and family overlooked his faults and treasured his good humor and kindness. Our story begins when he begins his career, and it ends just beyond his peak. A note about language: Dewey and his friends in the music business did not speak proper English. In our script we try to capture both the slang, and the Southern accent. |